gnashville
gnashville
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herkindoftea:

Always have to reblog this photo because I’m in love with those floors. I can’t help it.
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saltflower:

Geoffroy Marie Florentine
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gretavirginia:

After Kissing120mm filmMarch 2014
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"And Max, the king of all wild things, was lonely and wanted to be where someone loved him best of all."
Maurice Sendak, Where The Wild Things Are (via man-of-prose)
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the-blue-gardens:

dulldrops:

♡

☾💎★ Alternative ★💎☽
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the-torn-up-road:

eagle tail mountain
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wandrlust:

“The details are the life of it, I insist, say everything on your mind, don’t hold back, don’t analyze or anything as you go along, say it out.” — Jack Kerouac, The Subterraneans (1958)
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heidisaman:

"I didn’t start making films until I was 34. But that wasted youth was probably the most valuable asset for what I’m doing now. You see the world, you end up in jail three or four times, you accumulate experience. And it gives you something to say. If you don’t have anything to say then you shouldn’t be making films. It’s nothing to do with what lens you’re using."
— Christopher Doyle on becoming a cinematographer

Still from In the Mood for Love (2000, dir. Wong Kar-wai) Cinematography by Christopher Doyle
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wandrlust:

Sumner, Mississippi, c. 1970 — William Eggleston
Photo used for the cover of Spoon’s Transference
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breakfastineurope:

Vincent Gallo and Chloë Sevigny on the set of The Brown Bunny (2003)
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bbook:

Go Behind the Scenes of ‘2001: A Space Odyssey’ With Set Photos & a 1966 Documentary 
bbook:

Go Behind the Scenes of ‘2001: A Space Odyssey’ With Set Photos & a 1966 Documentary 
bbook:

Go Behind the Scenes of ‘2001: A Space Odyssey’ With Set Photos & a 1966 Documentary 
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